10 April - Roger Zelazny Poetry Month - Nine Princes in Amber

 How did we get this far along without an Amber book? Time to correct that. 

For the purposes of this post,  I'm going to use Nine Princes in Amber as a synecdoche for the series; the one book standing in for Corwin's full arc.

It's not perfect, the book's got that early installment weirdness where the rules of the setting hadn't yet been fully codified, but I think it's the best representation for the series out of the five.

The poem I've chosen is Ulysses and I feel pretty good about this. I think it's a good representation of Corwin's journey. He's never going to be happy unless he's struggling. Contentment leaves him discontent. 

It little profits that an idle king,

By this still hearth, among these barren crags,

Match'd with an aged wife, I mete and dole

Unequal laws unto a savage race,

That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink

Life to the lees: All times I have enjoy'd

Greatly, have suffer'd greatly, both with those

That loved me, and alone, on shore, and when

Thro' scudding drifts the rainy Hyades

Vext the dim sea: I am become a name;

For always roaming with a hungry heart

Much have I seen and known; cities of men

And manners, climates, councils, governments,

Myself not least, but honour'd of them all;

And drunk delight of battle with my peers,

Far on the ringing plains of windy Troy.

I am a part of all that I have met;

Yet all experience is an arch wherethro'

Gleams that untravell'd world whose margin fades

For ever and forever when I move.

How dull it is to pause, to make an end,

To rust unburnish'd, not to shine in use!

As tho' to breathe were life! Life piled on life

Were all too little, and of one to me

Little remains: but every hour is saved

From that eternal silence, something more,

A bringer of new things; and vile it were

For some three suns to store and hoard myself,

And this gray spirit yearning in desire

To follow knowledge like a sinking star,

Beyond the utmost bound of human thought.

         This is my son, mine own Telemachus,

To whom I leave the sceptre and the isle,—

Well-loved of me, discerning to fulfil

This labour, by slow prudence to make mild

A rugged people, and thro' soft degrees

Subdue them to the useful and the good.

Most blameless is he, centred in the sphere

Of common duties, decent not to fail

In offices of tenderness, and pay

Meet adoration to my household gods,

When I am gone. He works his work, I mine.

         There lies the port; the vessel puffs her sail:

There gloom the dark, broad seas. My mariners,

Souls that have toil'd, and wrought, and thought with me—

That ever with a frolic welcome took

The thunder and the sunshine, and opposed

Free hearts, free foreheads—you and I are old;

Old age hath yet his honour and his toil;

Death closes all: but something ere the end,

Some work of noble note, may yet be done,

Not unbecoming men that strove with Gods.

The lights begin to twinkle from the rocks:

The long day wanes: the slow moon climbs: the deep

Moans round with many voices. Come, my friends,

'T is not too late to seek a newer world.

Push off, and sitting well in order smite

The sounding furrows; for my purpose holds

To sail beyond the sunset, and the baths

Of all the western stars, until I die.

It may be that the gulfs will wash us down:

It may be we shall touch the Happy Isles,

And see the great Achilles, whom we knew.

Tho' much is taken, much abides; and tho'

We are not now that strength which in old days

Moved earth and heaven, that which we are, we are;

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield.

09 April - Roger Zelazny Poetry Month - Damnation Alley

Today, we have Damnation Alley, one of the Zelazny books that most fans like, but I don't particularly care for. There are elements I like and one of the folks here identified an interesting possible link to This Immortal. Just didn't vibe with it, but it's hard to deny its popularity. 

Today's poem is Invictus: “I am the master of my fate / I am the captain of my soul” is practically tattooed across Hell Tanner’s knuckles. 

Out of the night that covers me,

      Black as the pit from pole to pole,

I thank whatever gods may be

      For my unconquerable soul.

In the fell clutch of circumstance

      I have not winced nor cried aloud.

Under the bludgeonings of chance

      My head is bloody, but unbowed.

Beyond this place of wrath and tears

      Looms but the Horror of the shade,

And yet the menace of the years

      Finds and shall find me unafraid.

It matters not how strait the gate,

      How charged with punishments the scroll,

I am the master of my fate,

      I am the captain of my soul.

08 April - Roger Zelazny Poetry Month - Comes Now the Power

 Most of these selections have asterisks next to them to some extent. 

*This is the best match I could find.

But for this poem, it really feels like I got it right. This is the perfect match.

The story is Comes Now the Power, which itself makes always, briefly, carries my thoughts to a line from a Robyn Hitchcock song, "And it rained, like a slow divorce..."

Milt Rand remains entangled in the quiet ache of a divorce that unraveled more than a marriage.

The divorce had beaten hell out of him.

It is bad enough to know that somewhere someone is hating you; but to have known the very form of that hatred and to have proven ineffectual against it, to have known it as the hater held it for you, to have lived with it growing around you, this is more than distasteful circumstance. Whether you are offender or offended, when you are hated and you live within the circle of that hate, it takes a thing from you: it tears a piece of spirit from your soul, or, if you prefer, a way of thinking from your mind; it cuts and does not cauterize.

Milt Rand dragged his bleeding psyche around the country and returned home.

The emotional impact has cost him the use of his psychic gift. He touches another mind, that of a girl dying of leukemia, and she restores him to himself, at the cost of her own life. The conclusion is almost a poem itself.

He calls upon the power that lives within him now, fused with his will and his sense, his thoughts, memories, feelings. In one great blaze of life, he shows her Milt Rand.

Here is everything I have, all I have ever been that might please. Here is swarming through a foggy night, blinking on and off. Here is lying beneath a bush as the rains of summer fall about you, drip from the leaves upon your fox-soft fur. Here is the moon-dance of the deer, the dream drift of the trout beneath the dark swell, blood cold as the waters about you.

Here is Tatya dancing and Walker preaching; here is my cousin Gary, as he whittles, contriving a ball within a box, all out of one piece of wood. This is my New York and my Paris. This, my favorite meal, drink, cigar, restaurant, park, road to drive on late at night; this is where I dug tunnels, built a lean-to, went swimming; this, my first kiss; these are the tears of loss; this is exile and alone, and recovery, awe, joy; these, my grandmother's daffodils: this her coffin, daffodils about it; these are the colors of the music I love, and this is my dog who lived long and was good. See all the things that heat the spirit, cool within the mind, are encased in memory and one's self. I give them to you, who have no time to know them.

He sees himself standing on the far hills of her mind. She laughs aloud then, and in her room somewhere high away a hand is laid upon her and her wrist is taken between fingers and thumb as she rushes toward him suddenly grown large. His great black wings sweep forward to fold her wordless spasm of life, then are empty.

So, what could follow that? Still I Rise by Maya Angelou.

You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt

But still, like dust, I'll rise.

Does my sassiness upset you?

Why are you beset with gloom?

’Cause I walk like I've got oil wells

Pumping in my living room.

Just like moons and like suns,

With the certainty of tides,

Just like hopes springing high,

Still I'll rise.

Did you want to see me broken?

Bowed head and lowered eyes?

Shoulders falling down like teardrops,

Weakened by my soulful cries?

Does my haughtiness offend you?

Don't you take it awful hard

’Cause I laugh like I've got gold mines

Diggin’ in my own backyard.

You may shoot me with your words,

You may cut me with your eyes,

You may kill me with your hatefulness,

But still, like air, I’ll rise.

Does my sexiness upset you?

Does it come as a surprise

That I dance like I've got diamonds

At the meeting of my thighs?

Out of the huts of history’s shame

I rise

Up from a past that’s rooted in pain

I rise

I'm a black ocean, leaping and wide,

Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear

I rise

Into a daybreak that’s wondrously clear

I rise

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise

I rise

I rise.

07 April - Roger Zelazny Poetry Month - Divine Madness

Today's story is Divine Madness, which I consider one of the finest stories of its kind ever written. It is the story of a man whose partner died in an automobile accident after an argument. He is now, inexplicably suffering long spells where time runs backwards for him.  It's a simple story, brilliantly told, written with crushing precision along with two others on Zelazny's blackest day, when his father died unexpectedly. 

The poem...I wish I were better read, with a keener understanding, because choosing To His Coy Mistress seems like a cheat. 

Yes, the story alludes to it directly, (Time's winged chariot fled before him as he opened the door) and yes, I feel like the language matches. I'm not sure if the tone is quite right. I mean, the story references Jabberwocky too, but I'm not about to suggest we go galumphing through the tulgey wood.

Still, there is something to it. I don't think many people would be able to name the poem itself, but passages like "Had we but world enough and time," and "The grave’s a fine and private place/But none, I think, do there embrace" have acquired a kind of mythic resonance that echoes. People know it without knowing it.

 

Had we but world enough and time,

This coyness, lady, were no crime.

We would sit down, and think which way

To walk, and pass our long love’s day.

Thou by the Indian Ganges’ side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the flood,

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires and more slow;

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.

       But at my back I always hear

Time’s wingèd chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found;

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long-preserved virginity,

And your quaint honour turn to dust,

And into ashes all my lust;

The grave’s a fine and private place,

But none, I think, do there embrace.

       Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may,

And now, like amorous birds of prey,

Rather at once our time devour

Than languish in his slow-chapped power.

Let us roll all our strength and all

Our sweetness up into one ball,

And tear our pleasures with rough strife

Through the iron gates of life:

Thus, though we cannot make our sun

Stand still, yet we will make him run.

06 April - Roger Zelazny Poetry Month - The Doors of His Face, The Lamps of His Mouth

 Goodness, is it time for another Tennyson poem? I believe it is!

Today's story is The Doors of His Face, The Lamps of His Mouth and the poem I have selected to represent it is The Kraken by this blog's poetry MVP, Alfred, Lord Tennyson.

Shall we release it?

Below the thunders of the upper deep,

Far, far beneath in the abysmal sea,

His ancient, dreamless, uninvaded sleep

The Kraken sleepeth: faintest sunlights flee

About his shadowy sides; above him swell

Huge sponges of millennial growth and height;

And far away into the sickly light,

From many a wondrous grot and secret cell

Unnumbered and enormous polypi

Winnow with giant arms the slumbering green.

There hath he lain for ages, and will lie

Battening upon huge sea worms in his sleep,

Until the latter fire shall heat the deep;

Then once by man and angels to be seen,

In roaring he shall rise and on the surface die.

More about the imagery than anything else.  The grandeur, mystery, and terrible beauty of a deep-sea leviathan that slumbers beneath the world, ancient, unknowable, and sublime.

Also, I can never remember the name of the story, which led to an exchange in an earlier poetry month that still makes me chuckle.

Original Post: 

The doors of his mouth,

The lamps of his face, Moby

Dick set on Venus

Comment: 

The doors of his face

The lamps of his mouth, and not

the title Josh wrote!

My response:

The doors of his face
The lamps of his mouth! There, I
corrected it, Chris!