Sunday, April 20, 2025

20 April - Roger Zelazny Poetry Month - Isle of the Dead

Today we have Isle of the Dead.  I like Francis Sandow, in part because he breaks away from the Zelazny archetype. He's an avatar of Shimbo of Darktree Tower, part scaredy-cat, part demigod, but he's also an old man, out of time,  who survived long past the time of his birth.

Thus, we match the story with When You Are Old, by William Butler Yeats. Short work, but lovely, and fitting, I think.


When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.


Saturday, April 19, 2025

19 April - Roger Zelazny Poetry Month - He Who Shapes


Running out of time on this holiday weekend (I'm a bad blogger, I know) so I'm posting this as a placeholder until I learn better time management.

Update: Hurray, I'm back! And minimally diligent! 

Today (I know, yesterday) we're doing He Who Shapes.  

Beautiful story, with Charles Render, he who shapes (or the Dream Master, if you like) assisting his patients through lucid dream. Elaine Shallot comes to him for aid and he is unable to resist the challenge.

Can I really use anything but The Lady of Shallot for this story? 




Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
       To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
       Round about Shalott.
Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
       Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
       The Lady of Shalott.
Underneath the bearded barley,
The reaper, reaping late and early,
Hears her ever chanting cheerly,
Like an angel, singing clearly,
       O'er the stream of Camelot.
Piling the sheaves in furrows airy,
Beneath the moon, the reaper weary
Listening whispers, ' 'Tis the fairy,
       Lady of Shalott.'
The little isle is all inrail'd
With a rose-fence, and overtrail'd
With roses: by the marge unhail'd
The shallop flitteth silken sail'd,
       Skimming down to Camelot.
A pearl garland winds her head:
She leaneth on a velvet bed,
Full royally apparelled,
       The Lady of Shalott.

Part II
No time hath she to sport and play:
A charmed web she weaves alway.
A curse is on her, if she stay
Her weaving, either night or day,
       To look down to Camelot.
She knows not what the curse may be;
Therefore she weaveth steadily,
Therefore no other care hath she,
       The Lady of Shalott.
She lives with little joy or fear.
Over the water, running near,
The sheepbell tinkles in her ear.
Before her hangs a mirror clear,
       Reflecting tower'd Camelot.
And as the mazy web she whirls,
She sees the surly village churls,
And the red cloaks of market girls
       Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad,
       Goes by to tower'd Camelot:
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
       The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
       And music, came from Camelot:
Or when the moon was overhead
Came two young lovers lately wed;
'I am half sick of shadows,' said
       The Lady of Shalott.

Part III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flam'd upon the brazen greaves
       Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
       Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
       As he rode down from Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
       Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
       As he rode down from Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
       Moves over green Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
       As he rode down from Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra, tirra lirra:'
       Sang Sir Lancelot.
She left the web, she left the loom
She made three paces thro' the room
She saw the water-flower bloom,
She saw the helmet and the plume,
       She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me,' cried
       The Lady of Shalott.

Part IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
       Over tower'd Camelot;
Outside the isle a shallow boat
Beneath a willow lay afloat,
Below the carven stern she wrote,
       The Lady of Shalott.
A cloudwhite crown of pearl she dight,
All raimented in snowy white
That loosely flew (her zone in sight
Clasp'd with one blinding diamond bright)
       Her wide eyes fix'd on Camelot,
Though the squally east-wind keenly
Blew, with folded arms serenely
By the water stood the queenly
       Lady of Shalott.
With a steady stony glance—
Like some bold seer in a trance,
Beholding all his own mischance,
Mute, with a glassy countenance—
       She look'd down to Camelot.
It was the closing of the day:
She loos'd the chain, and down she lay;
The broad stream bore her far away,
       The Lady of Shalott.
As when to sailors while they roam,
By creeks and outfalls far from home,
Rising and dropping with the foam,
From dying swans wild warblings come,
       Blown shoreward; so to Camelot
Still as the boathead wound along
The willowy hills and fields among,
They heard her chanting her deathsong,
       The Lady of Shalott.
A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken'd wholly,
And her smooth face sharpen'd slowly,
       Turn'd to tower'd Camelot:
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
       The Lady of Shalott.
Under tower and balcony,
By garden wall and gallery,
A pale, pale corpse she floated by,
Deadcold, between the houses high,
       Dead into tower'd Camelot.
Knight and burgher, lord and dame,
To the planked wharfage came:
Below the stern they read her name,
       The Lady of Shalott.
They cross'd themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
       The wellfed wits at Camelot.
'The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,—this is I,
       The Lady of Shalott.'

Friday, April 18, 2025

18 April - Roger Zelazny Poetry Month - 24 Views of Mt. Fuji, by Hokusai

 


Today we have 24 Views of Mt. Fuji, by Hokusai, one of the great stories of Zelazny's final years. In it, Mari returns to Japan from a time in America for a final encounter with her husband, who has undergone a digital apotheosis. She uses a series of Hokusai's prints to map her journey, though, as Chris Kovacs points out, the route she took would have been extraordinarily circuitous and impractical. 

Hey! Hokusai is another Halloween baby! He can party with me and Keats!

Ideally, I would have a haibun for this story, which is a prosimetrum, (hey, new word for Josh!) a combination of poetry and prose. Here's the thing, though. 

I barely know Western poetry well enough to match poems to stories. I wouldn't know where to begin with haibun.

So we're going to go with Basho's final haiku and hope it serves.

旅に病んで夢は枯野をかけ廻る
tabi ni yande / yume wa kareno wo / kake meguru
falling sick on a journey / my dream goes wandering / on a withered field


Thursday, April 17, 2025

17 April - Roger Zelazny Poetry Month - Home is the Hangman

Whew! Just under the wire! Today’s story is Home is the Hangman, one of Zelazny’s finest novellas. best of the Legion stories. 

A deep space exploration robot returns for revenge.

This is another poem where I'm confident I got it right. Or at least, didn't get it wrong. 

The Tyger, by William Blake. He got bumped for Creatures of Light and Darkness but he's finally having his moment.

It's one of the best known poems in the English language. Even people who don't like poetry know it. 

I think it fits, because it asks What does that nature of a thing say about the one who created it?

Tyger Tyger, burning bright, 
In the forests of the night; 
What immortal hand or eye, 
Could frame thy fearful symmetry?

In what distant deeps or skies. 
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?

What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?

When the stars threw down their spears 
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?


Wednesday, April 16, 2025

16 April - Roger Zelazny Poetry Month - The Changing Land

I plan these things out ahead of time. For the longest time, I had the Waste Lands as the poem for The Changing Land, but I just couldn't make it work. Eventually I decided there wasn't much of a connection between them; I was just hung up on the similarity between the names. 

And yeah, I'll admit, some of the connections are a bit tenuous and I've probably done worse but I had to draw a line somewhere and that was it.

I decided on Poe's The Haunted Palace. I have a couple placeholders and days that aren't yet assigned, but I'm probably not going to match a poem to The Black Throne. I just didn't like it enough and there are only so many days in a month. 

I think it's a good match, though. It captures that eerie intersection of grandeur, madness, and ruin that defines The Changing Land. There was a time when things were otherwise, and the echoes can still be heard in places, but the world has moved on and those times will never return. 

In the greenest of our valleys
By good angels tenanted,
Once a fair and stately palace—
Radiant palace—reared its head.
In the monarch Thought’s dominion,
It stood there!
Never seraph spread a pinion
Over fabric half so fair!

Banners yellow, glorious, golden,
On its roof did float and flow
(This—all this—was in the olden
Time long ago)
And every gentle air that dallied,
In that sweet day,
Along the ramparts plumed and pallid,
A wingèd odor went away.

Wanderers in that happy valley,
Through two luminous windows, saw
Spirits moving musically
To a lute’s well-tunèd law,
Round about a throne where, sitting,
Porphyrogene!
In state his glory well befitting,
The ruler of the realm was seen.

And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.

But evil things, in robes of sorrow,
Assailed the monarch’s high estate;
(Ah, let us mourn!—for never morrow
Shall dawn upon him, desolate!)
And round about his home the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.

And travellers, now, within that valley,
Through the red-litten windows see
Vast forms that move fantastically
To a discordant melody;
While, like a ghastly rapid river,
Through the pale door
A hideous throng rush out forever,
And laugh—but smile no more.